Many students tell me that after they do the hard work of coming up with an idea, they do not know what to put in the paragraph or even how to write the paragraph.
Is this an issue for you as well? Could you use a little help in this area?
{Looking for the MIDDLE SCHOOL version of this tutorial? >>}
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You’re writing your essay and everything’s going great until you realize you need to let readers know where you got a certain fact. You aren’t using a bibliography, footnotes, or works cited page because this is just an essay, not a report or research paper.
You don’t want to plagiarize. Putting someone else’s fact or idea in your essay without any citation would definitely be plagiarism.
What are you going to do?
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Proofreading. What a pain.
You finish your essay and think you’re through with it, but, no. Now you have to proofread it.
It turns out that writing and proofreading are two separate skills. In fact, they use two different parts of your brain and should be done at different times.
To take this a step further, when I proofread, I
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Students will follow along as I guide them through my experience with making stained-glass butterflies. As they read, they’ll be learning how to write a how-to and then insert transitions into the essay to move their readers easily through the process.
Suitable for students in 5th – 12th grade.
Last week I attended a class on how to make stained-glass butterflies. You know, the kind you hang up on a window with little suction cups.
My stained-glass butterfly and my mom’s. Hers turned out better than mine!
The teacher was very clear on how to do each step. We practiced cutting glass first, listening for the “hiss” that showed we were scoring the glass correctly with our cutters. After we had cut a line and a circle (both of which I messed up), he moved us to the next step.
I chose what I thought would be a simple butterfly design and found out how wrong I was.
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Do you want to influence your readers? Do you want to grab their hearts?
Use the power of story.
There are two kinds of stories: the true ones and the fictional ones. People have been using both kinds forever, and so can you.
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True story: I was eating dinner in a restaurant recently when I heard a woman in the booth behind me state, “This is an abomination!”
My ears perked up. My curiosity was piqued. I rarely hear the word “abomination” any more and wondered what could be so horrific as to need that word. I imagined she and her dining partner were reading a magazine article on human trafficking or perhaps watching a YouTube video about persecution in Indonesia.
I strained my ears to learn what she was referring to.
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In a recent tutorial, you practiced plunging your character into hot water with two powerful methods many writers use. You can find that prompt here.
This week you’ll examine three more methods of getting your main character deep into a story. As Stanley Elkin reveals, “I would never write about someone who is not at the end of his rope.”
You have an idea for a story but don’t know how to get it going. Or you would like to write a story but are out of ideas.
When you write a story, you have to throw a lot of things at your main character, things he or she would rather not have to deal with. In this prompt, you’ll learn two proven methods to get ideas and plunge your character into hot water. In this prompt, you’ll explore three more.
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Here’s a free grammar lesson for your teens from The Power in Your Hands: Writing Nonfiction in High School, 2nd Edition. It’s on gender-neutral language in writing—and it has the answers at the end! Keep reading to see this valuable lesson. Enjoy!
Incidentally, the subject of gender-neutral language is not related to the transgender movement or any biological issues.
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Today you get to be Shakespeare and write a sonnet.
A sonnet is a poem of fourteen lines. The last two lines, however, are separate and either sum up the rest of the poem or provide a new twist, as does the sonnet below.
Let’s look at Shakespeare’s Sonnet 62. The letters at the end of each line are Shakespeare’s rhyme scheme, but ignore that for now. Take a few moments and read the sonnet. Then I’ll explain it:
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