Do you want to influence your readers? Do you want to grab their hearts?
Use the power of story.
There are two kinds of stories: the true ones and the fictional ones. People have been using both kinds forever, and so can you.
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I am sickened and saddened by the news that Planned Parenthood is dealing in baby parts. I imagine you are troubled as well.
Whether they are truly selling them or, as they say, making them available, there is no defense for these actions.
This exposé is an organic teaching moment for us and our teens. How can we help our teens understand what is godly and debunk the “humanitarian” argument?
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True story: I was eating dinner in a restaurant recently when I heard a woman in the booth behind me state, “This is an abomination!”
My ears perked up. My curiosity was piqued. I rarely hear the word “abomination” any more and wondered what could be so horrific as to need that word. I imagined she and her dining partner were reading a magazine article on human trafficking or perhaps watching a YouTube video about persecution in Indonesia.
I strained my ears to learn what she was referring to.
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One of the first rules story writers learn is this: Show, don’t tell.
What does that mean? Check out the following examples to see what I mean.
When you write a story, try not to tell your readers what your character is feeling, like this:
Jeremy was angry.
Instead, show your character in action, like this:
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In a recent tutorial, you practiced plunging your character into hot water with two powerful methods many writers use. You can find that prompt here.
This week you’ll examine three more methods of getting your main character deep into a story. As Stanley Elkin reveals, “I would never write about someone who is not at the end of his rope.”
You have an idea for a story but don’t know how to get it going. Or you would like to write a story but are out of ideas.
When you write a story, you have to throw a lot of things at your main character, things he or she would rather not have to deal with. In this prompt, you’ll learn two proven methods to get ideas and plunge your character into hot water. In this prompt, you’ll explore three more.
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Have you ever read really boring dialog in a book? You know, like this:
“Jane,” said Tarzan, “have you ever noticed how much the monkeys love me?”
“Yes, Tarzan, I noticed it,” said Jane. “In fact, one is climbing on you right now.”
Tarzan scratched his head. “He’s pulling on my ear. Isn’t that cute?”
Jane smiled up at the little scamp. She raised her hand to pet his furry back. “You know, Tarzan, I think he’s my favorite one. What should we call him?”
“I know!” said Tarzan. “Let’s call him Scamp!”
“Why, Tarzan! That’s just the name I was thinking of!” said Jane.
Yuk! How boring. But why? Why is that dialog boring?
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Here’s a free grammar lesson for your teens from The Power in Your Hands: Writing Nonfiction in High School, 2nd Edition. It’s on gender-neutral language in writing—and it has the answers at the end! Keep reading to see this valuable lesson. Enjoy!
Incidentally, the subject of gender-neutral language is not related to the transgender movement or any biological issues.
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Today you get to be Shakespeare and write a sonnet.
A sonnet is a poem of fourteen lines. The last two lines, however, are separate and either sum up the rest of the poem or provide a new twist, as does the sonnet below.
Let’s look at Shakespeare’s Sonnet 62. The letters at the end of each line are Shakespeare’s rhyme scheme, but ignore that for now. Take a few moments and read the sonnet. Then I’ll explain it:
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April is National Poetry Month. What a wonderful time to try your hand at writing a poem!
Haiku (high KOO) is a beautiful poem form that comes from Japan. It is usually about nature and can be spoken in one breath.
Syllables are important in a haiku. Words can be broken into parts based on their vowel sounds. Those parts are syllables. Tree has one syllable. Forest has two. And timberland has three. When you speak these words out loud, you can hear their syllables.
Haiku poems have another feature: They do not rhyme.
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