Aren’t descriptions those portions of books that you skip? Aren’t they boring? Don’t they stop the forward movement of the plot?
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Sometimes they do. But when you are the writer, you don’t have to stop the movement even if you are describing something.
Make something move.
An effective writer makes a description move. Wind blows the curtains. The sea surges on the shore in frothy waves. The train plows through fields of ripe winter wheat. You get the idea.
Read the following description of an abandoned cabin from Edward Abbey’s Desert Solitaire and figure out what is moving:
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