One of the first rules story writers learn is this: Show, don’t tell.
What does that mean? Check out the following examples to see what I mean.
When you write a story, try not to tell your readers what your character is feeling, like this:
Jeremy was angry.
Instead, show your character in action, like this:
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Have you ever read really boring dialog in a book? You know, like this:
“Jane,” said Tarzan, “have you ever noticed how much the monkeys love me?”
“Yes, Tarzan, I noticed it,” said Jane. “In fact, one is climbing on you right now.”
Tarzan scratched his head. “He’s pulling on my ear. Isn’t that cute?”
Jane smiled up at the little scamp. She raised her hand to pet his furry back. “You know, Tarzan, I think he’s my favorite one. What should we call him?”
“I know!” said Tarzan. “Let’s call him Scamp!”
“Why, Tarzan! That’s just the name I was thinking of!” said Jane.
Yuk! How boring. But why? Why is that dialog boring?
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Allan G. Odell saved his company from ruin and made it quite popular.
How did he do it?
In the 1920s, a new shaving product was born called Burma-Shave. It was different from other shaving creams because, now, men didn’t have to lather up some cream or soap with a brush and apply it to their faces for a shave. They simply used this new cream that came in a tube. But the product did not catch on. The company was in trouble.
Then along came Allan Odell with a brilliant marketing scheme.
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Let’s talk about trees.
Something interesting just happened to you. Right now. This moment.
When you read “trees,” an image of a tree or trees popped into your head. What was it?
When you write to describe something, you want to be specific. You DON’T want to write like this:
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In the mid-1800s, Samuel Morse helped create a code that was used in his new system of communication: telegraphs.
You may be familiar with the Morse code for “SOS”:
· · · ― ― ― · · ·
(or “dot dot dot, dash dash dash, dot dot dot”).
The three dots stand for “S” and the three dashes stand for “O.”
In Frank Gilbreth and Ernestine Gilbreth Carey’s memoir Cheaper by the Dozen,
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April is National Poetry Month. What a wonderful time to try your hand at writing a poem!
Haiku (high KOO) is a beautiful poem form that comes from Japan. It is usually about nature and can be spoken in one breath.
Syllables are important in a haiku. Words can be broken into parts based on their vowel sounds. Those parts are syllables. Tree has one syllable. Forest has two. And timberland has three. When you speak these words out loud, you can hear their syllables.
Haiku poems have another feature: They do not rhyme.
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Let’s write a fun poem to celebrate National Poetry Month!
A diamante (Dee-a-MON-tay) is an interesting type of poem. It is a diamond-shaped poem of opposites, and the last word in the poem is the opposite of the first word.
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Do you want to time travel?
What was it like when your ancestors first set foot on American soil? What did the Egyptian pyramids look like when they were first built, gleaming with layers of gold?
How did Jesus perform the miracle of healing the ten lepers? When you are twenty years old, what will the world be like?
One famous scientist, Stephen Hawking, believed people can time travel if they
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Reading descriptions can be super boring; you probably skip them when you read older books, especially if they go on and on.
Today’s writers know how to capture your attention and keep the descriptions interesting. What are their secrets? We’ll explore two today.
First, they use their senses. Here’s a fascinating verse about Jesus that the apostle John writes in the beginning of his first letter:
“That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked at and our hands have touched—this we proclaim concerning the Word of life” (I John 1:1 NIV)
How many senses from the list below does he depend on to tell us that Jesus is real?
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This week is Holy Week for Christians. We remember and celebrate Jesus’ Triumphal Entry, Last Supper, trial, death, and resurrection.
All the Gospels (Matthew, Mark, Luke, and John) have accounts of the resurrection, but none of the accounts are written in first person.
First-person point of view is when the narrator is telling the story, like this: “I saw the angels,” “I walked up to the tomb,” or “When we saw that it was empty, he went in and I backed away.”
The disciple John, when mentioning himself, writes of himself in third person as “the other disciple,” like this: “So Peter and the other disciple started for the tomb. Both were running, but the other disciple outran Peter and reached the tomb first” (John 20: 3-4). What would his story be like if he had written it in first person?
Many people are mentioned in the accounts of the resurrection: Mary Magdalene and other women, guards, angels, disciples such as Peter and John, chief priests, Cleopas and the other man walking to Emmaus, and Doubting Thomas. What story could they tell?
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